Compassion is an unstable emotion. It needs to be translated into action, or it withers.
Susan Sontag
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Dreams were a major influence on the Dadaist and surrealist artist Méret Oppenheim. Her father introduced her to the writings of the psychoanalyst Carl Jung when she was 14, and she recorded her dreams throughout her life. Oppenheim’s later use of dreams as inspiration for her art adhered to the very essence of surrealism. Many of her pieces — sculptures, paintings, photographs, and more — consist of everyday objects reconfigured to shift their meaning, often alluding to female sexuality. In 1936, she created her most famous piece, “Object,” featuring a fur-covered teacup, saucer, and spoon. It was mischievous and undeniably sexual, and the surrealists considered it a quintessential example of the movement.
On the evening of December 1, 1955, Rosa Parks boarded a bus in downtown Montgomery, Alabama. She paid her fare and sat in the first row of back seats reserved for Black citizens on the segregated bus. When a white man boarded and found himself with no seat in the “white” section, the bus driver ordered Parks and three other Black passengers in her row to stand. Three of the passengers obeyed. Parks did not. Her defiance led to her arrest, and set in motion the Montgomery bus boycott — turning Parks into a symbol of the civil rights movement. She later wrote that it wasn’t physical tiredness that made her refuse to give up her seat, writing, “No, the only tired I was, was tired of giving in.”
The sci-fi romance film “Her” was director Spike Jonze’s solo screenwriting debut, and it’s safe to say he knocked it out of the park. The movie, starring Joaquin Phoenix and Scarlett Johansson, was nominated for Best Picture in 2013 and won the Oscar for Best Original Screenplay. It tells the story of Theodore (Phoenix), a man who falls in love with his artificially intelligent assistant, Samantha (voiced by Johansson). Theodore represents two of the film’s main themes: loneliness and isolation. Samantha brings him a ray of hope and helps to alleviate his depression, offering support through lines like this one, which reminds us that there is no limit to our capacity for love.
Anaïs Nin’s writing was largely ignored by the public until the 1960s, when feminism and surrealism (themes abundant in Nin’s work) gained traction in the popular culture of the time. The French-born American author is most widely known for the publication of her personal diaries, which filled eight volumes in total. This quote comes from the second book in the series, and illustrates Nin’s desire to live a full life. In the same book, she wrote, “I have so strong a sense of creation, of tomorrow.”
When she was nine years old, Octavia Butler saw a science fiction movie called “Devil Girl From Mars” and thought to herself: “I can write a better story than that.” She went on to become the first widely recognized Black female science fiction writer, publishing 12 novels in all. She was the only sci-fi writer ever to be awarded a MacArthur “Genius” Grant, which she added to her Nebula Award, Hugo Award, and PEN Lifetime Achievement Award. She used fiction to tell stories of deep truth, imparting wisdom that transcends genre, gender, or race. Even as the times have changed, her stories continue to entertain and enlighten.
In her popular 2017 TED Talk “Get Comfortable With Being Uncomfortable,” bestselling author, speaker, and podcast host Luvvie Ajayi pointed out the undeniable power of fear. That powerful force can wind up controlling our actions — or inaction, as is often the case. But Ajayi encouraged her audience to use it as a motivator. “I'm not going to let fear dictate what I do,” she said. “Anything that scares me, I'm going to actively pursue it.” Feeling afraid doesn’t have to be a warning sign of what to avoid; instead, it can act as a beacon, lighting a path for us to push outside our comfort zone, which is the only way to grow.
Tom Waits is an American musician who cut his teeth in the 1970s singer-songwriter circuit. Waits’ expansive discography often centers around the darker underbelly of society: lost love, broken homes, drug use, runaways. The song this line comes from, “House Where Nobody Lives,” is no exception. The lyrics describe an abandoned house, contemplating the lives it once held as it now stands alone and choked with weeds. Waits uses the decrepit structure to illustrate the fickleness of worldly possessions. “Houses are just made of wood,” he sings in the final verse. “What makes a house grand ain’t the roof or the doors. If there’s love in a house, it’s a palace for sure.”
These final words in Sharon Begley’s 1977 “Newsweek” profile on famed astronomer Carl Sagan have often been misattributed to the scientist himself. But the phrase was actually written by Begley, to summarize Sagan’s interest in exploring the cosmos for electromagnetic waves to determine if extraterrestrial life exists. Begley concludes the profile by admitting that while “there may be no galumphing green Barsoomian giants to satisfy the fantasies of a romantic Brooklyn boy,” there was “no doubt” that there were “even stranger discoveries to be made. Some totally new phenomenon, perhaps.” Begley’s ending statement invites us to remain eternally curious. Our most far-fetched imaginings (galumphing green giants, for example) may pale in comparison to the wonders of what the universe — and our lives — hold in store.