10 Haikus That Paint a Beautiful Picture

Haiku is one of the most recognizable forms of poetry in the world, known and beloved for its simple elegance. Originating from the Japanese “hokku,” an opening stanza of a longer work, the standalone haiku emerged in Japanese literature around the 17th century, and went on to become popular around the world.
Traditionally, haikus are very structured, made up of only three unrhymed lines; the first line has five syllables, the second has seven, and the third has five, totaling 17 syllables. But although the syllable count has been ingrained in Western teachings as a strict hallmark of the haiku, it isn’t a required trait.
In fact, many famous Japanese haikus, including poems from celebrated writers Matsuo Bashō and Yosa Buson, lose their syllabic structure in some English translations. As writers outside of Japan started using the form, it became less about the rhythm, and more about honoring the haiku’s vivid simplicity. “Above all,” Jack Kerouac reflected, “a Haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi Pastorella.”
Haiku often evokes nature, and will traditionally include what’s referred to as a “cutting word,” or a word used for emphasis and to create stark contrast. Whether in conventional form or using experimental techniques — such as in Ezra Pound’s groundbreaking 1911 imagist work “In a Station of the Metro” — the best and most beautiful haikus capture a moment, convey an astute awareness, and, in just a few short lines, can take your breath away.
With a sound from the water
Of the frog as it plunges in.
a spider, how lonely I feel
in the cold of night!
And within every dewdrop
A world of struggle.
the wisteria’s scent
comes from far away.
Erase again, and then
A poppy blooms.
Forest, winds howl in rage
With no leaves to blow.
And touched the eyelids of spring:
Her eyes, Primroses.
shadows hoping my river
secrets unlock
is all the instruction
You’ll get
Petals on a wet, black bough.